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Films

* Here are some films that Beyoncé Knowles has starred in*

Carmen: A Hip Hopera

Recasting Bizet's classic opera as a musical tale in the 'hood, Carmen: A Hip Hopera proves that the plot's not the thing. By retaining the story but jettisoning Bizet's individual musical numbers that propel the tragedy to its inevitable conclusion, this Carmen founders on familiarity: it's just another soap opera about two lovers whose tryst proves fatal.
Occasionally, the music quotes Bizet's famous themes, but most of the rapping and singing sound interchangeable. What makes this Carmen worth seeing, however, is the scintillating performance of Beyoncé Knowles in the lead role. From her first entrance in a dazzling red gown, Knowles shows off a vibrant, magnetic personality; the camera loves her, as her group's many music videos have shown.

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Austin Powers in Goldmember

Despite symptoms of sequelitis, Austin Powers in Goldmember is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery.
All is forgiven when the hilarity level is consistently high, and Mike Myers--returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember--thrives by favoring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra.
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The Fighting Temptations

The Fighting Temptations may not cure the common cold with its FFF (Familiar Feel-Good Formula), but it'll definitely cure what ails you. Here's an unassuming, well-cast comedy drama, filled with forgiving spirit and jubilant gospel music, and its lessons go down as smooth as a mint julep in summertime. Mostly it's just good, harmless fun, beginning when a deceptive corporate ladder-climber (Cuba Gooding Jr.) returns from Manhattan to his southern-fried Georgia hometown to attend the funeral of a beloved aunt, whose will stipulates a reward of $150,000 if he'll direct the local church choir to win a big annual gospel music contest. The outcome is obvious, but veteran comedy director Jonathan Lynn keeps things percolating with casual flair, especially when a lovely lounge singer (Beyoncé Knowles, in a nicely downplayed costarring role) agrees to rejuvenate Gooding's choir, which teams rapping convicts, a boozy barfly (on organ), and bible-thumping prudes.

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The Pink Panther


If anyone could step into the huge shoes of comedic genius left by Peter Sellers as bumbling French policeman Jacques Clouseau, it's Steve Martin. Sellers made Clouseau a true icon of character and comedy in five Pink Panther movies in the '60s and '70s; Martin has arguably already attained Sellers' rank as an entertainment talent, so it only makes sense that he became Clouseau's heir apparent for the inevitable screen resurrection. This updated story of the priceless eponymous diamond purloined under mysterious circumstance and pursued with Keystone Cop-like antics by Clouseau is a frivolous yet winning pastiche of physical gags and riffs on Clouseau's hilariously impenetrable accent. A famous French football coach (Jason Statham in cameo mode) is wearing the stone, set as an engagement ring for his pop star fiance (Beyonce Knowles). But before a packed stadium crowd of thousands, the ring disappears from his his fingers as he falls he falls dead by a poison dart.

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Dreamgirls

The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.



Latest page update: made by dbzfan_29 , Oct 18 2007, 5:41 PM EDT (about this update About This Update dbzfan_29 Edited by dbzfan_29


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